Book that flight! Come and join me in Santa Fe for the opening of my exhibition at Ventana Fine Art. Mark your calendar for Friday, July 8th. The artist reception is from 4-6p.m. and I would really and truly love to see you there.
Feels good to have a pastel in hand again! I’ve been happily working away in oil to keep up with demand for my work. But it has been a long hiatus. Too long.
Marshall Noice | Young Maples, Dark Hill | Pastel on Paper | 22×22″ | 2,200. unframed
I think my work in general leans toward a decidedly intuitive approach to art making. But with the directness of pastel it becomes even more so. Sometimes it feels as though my oil paintings are trying to “catch up” with my pastels. I’m enthralled with this warm manganese violet color that turned up!
A little haze lifting, a row of young deciduous trees, sun filtered through the foliage, that’s more than enough information to get me started on a painting!
The scene is a recollection of a fall visit to an old friend’s orchard on the east shore of Flathead Lake. There are fruit trees galore along the lake. An abundance of apples, apricots, plums, and cherries fill the roadside stands and local grocery stores every fall here in Northwest Montana.
Long ago when my partner in crime Terry Nelson and I shared a painting studio, we would toss pithy aphorisms back and forth as we worked on paintings. At least WE thought the aphorisms were pithy!
Some, like, “think it, do it,” became mantras that spurred continued frantic activity. Others, like, “less is more,” spurred, well, nothing. We knew knowing when to quit was critical. And we eventually got to be pretty good about taking our own advice!
My original intention for “July Sky, North Valley” was to paint a grove of aspen in front of this iconic barn that sits a few miles north of my studio in Kalispell. But now I like it just as it is. Less is more? What do you think?
There’s one thing I can count on when I spend time in Santa Fe. I think it’s partly the vibrant art culture, and partly the searing quality of the light that, without fail, bring me new ideas. On my most recent sojourn to The City Different I detoured in an unfamiliar direction as far as color goes. I moved from blue to green to turquoise to violet, and never had the urge to add the jangly, tension creating disharmonious colors that are so characteristic of my compositions.
I’m looking forward to the 2022 Canyon Road Spring Art Festival this Saturday May 7th. I’ll be out in the New Mexico sunshine at Ventana Fine Art painting from 11-3. It’s an annual rite of the season when dozens of artists set up their easels outside galleries on Canyon Road and thousands of art lovers stroll the road and make it a party!
Stop by and say hello. I’ll be the guy in front of a brightly colored landscape painting with brush in hand and a big smile on my face!
I’m in the studio with pastel in hand because today’s the day to send thank you gifts to all my collectors who contributed to my daughter Sarsten’s Go Fund Me campaign.
I’m happy to report that, with help from many of you, she met her goal, the music video is in production, and will be going online (and going viral if I have anything to say about it) mid June.
Check back, we’ll be posting the link to the video “Poison The Well” by her band, Surprise Baby.
It was a coloristic decision. Not one influenced by song lyrics. Honest! But there is something iconic about purple mountains isn’t there? And I feel that, given the fact I hold in my possession a valid and recently renewed artistic license, I can paint those mountains any darn color I choose. Even purple!
Marshall Noice | Two Ponderosa | Oil on Canvas | 30×60″
And it is a beautifully hopeful song lyric. And we can never have too much hope.
“Oh, beautiful, for spacious skies” Lyrics by Katherine Lee Bates
A couple weeks ago I talked about having been recently influenced by the work of Piet Mondrian. And I mentioned that I thought it was possible that the elements that had a little similarity to his work might become veiled as I finished my painting. That, I believe, was an understatement. I think obliterated would better describe what occurred!
Marshall Noice | Untitled | Oil on Canvas | 36×36″
With some effort you can still see the highly graphic underpainting that I started with. But, as is often the case when I have a brush in hand and no one to stop me, I took this piece in an entirely different direction. Or maybe this piece took me in an entirely different direction. Regardless, it doesn’t look much like a Mondrian anymore, does it?